Name: Chicas, Chicas, Chicas! (in Spanish)
Price: 445.00 ZAR
Availability: InStock
Author: Robert Crumb
ISBN: 9788478332434

portada Chicas, Chicas, Chicas! (in Spanish)

Type

Physical Book

Author

Robert Crumb

Publisher

La Cupula

Year

2007

Language

Spanish

Pages

Format

Paperback

ISBN

847833243X

ISBN13

9788478332434

Edited in

España

Synopsis "Chicas, Chicas, Chicas! (in Spanish)"

Colección: Crumb¡BIENVENIDOS AL CIRCO FEMENINO!Pasen y vean: La cuarterona bizca, el mejor culo de América, la abominable mujer de las nieves, la vaquera judía, elEncuadernación: Rústica Frente de Liberación Femenina, hembras "flower power" y chicas vegetarianas.Porque si de algo entiende ROBERT CRUMB es de mujeres. La prueba está en este puñado de historias que abarcan desde su época underground hasta su decadente vida burguesa. Un remolino de traseros tersos y duros como piedras, oleadas de calidez, pantorrillas firmes...¡Es sólo una broma, chicas!¡En realidad estamos de vuestra parte! ¡¡DE VERDAD!!

Robert Crumb

(Author)

View Author's Page

Robert Crumb (Philadelphia, Pennsylvania, August 30, 1943) is an American cartoonist, illustrator, and musician. He was one of the founders of the underground comic movement and is perhaps the most prominent figure of that movement. Although he is one of the best-known comic book authors, his career has always developed outside the mainstream industry.

As a musician, he was part of the band R. Crumb & His Cheap Suit Serenaders, dedicated to the dissemination of American popular music composed in the 1920s.

Crumb's graphic style mixes influences from early comic artists like Billy DeBeck, creator of the Barney Google strip, C.E. Brock, Rube Goldberg, and E.C. Segar (creator of Popeye). The author has also cited among his greatest influences Carl Barks (who drew Disney's Donald Duck comics), Harvey Kurtzman, and John Stanley, the second author of Little Lulu, which he adapted for long comics.

In the ideological field, the commentator Javier Coma observes in Crumb's early comics, "beneath his confrontation with the system, a critical stance towards the sociopolitical degenerations of the protest," noting "Crumb's nostalgic returns to a past anti-urban life, poetized by old customs and genuine popular music."

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