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portada Beethoven's Tempest Sonata (First Movement): Five Annotated Analyses for Performers and Scholars
Type
Physical Book
Publisher
Author
Language
English
Pages
209
Format
Hardcover
Dimensions
30x21.6x2 cm
Weight
0.92 kg.
ISBN13
9789042926394
Categories

Beethoven's Tempest Sonata (First Movement): Five Annotated Analyses for Performers and Scholars

Berge, P. (Author) · Peeters · Hardcover

Beethoven's Tempest Sonata (First Movement): Five Annotated Analyses for Performers and Scholars - Berge, P.

New Book Imported to South Africa
Delivery: 21 Oct - 30 Oct Shipping: 13 to 15 business days.
R 1,256
R 1,256

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Synopsis "Beethoven's Tempest Sonata (First Movement): Five Annotated Analyses for Performers and Scholars"

This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived for an academic readership, the present volume, by contrast, is intended primarily for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); sonata-theory (James Hepokoski); and metrical (William Rothstein). This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived primarily for an academic readership, the present volume is also intended for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); sonata-theory (James Hepokoski); and metrical (William Rothstein).

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