Name: For a Critique of the Political Economy of the Sign
Price: 574.00 ZAR
Availability: InStock
Author: Jean Baudrillard
ISBN: 9781788734837

portada For a Critique of the Political Economy of the Sign

For a Critique of the Political Economy of the Sign

Type

Physical Book

Author

Jean Baudrillard

Publisher

Verso

Year

2019

Language

English

Pages

272

Format

Paperback

ISBN13

9781788734837

Synopsis "For a Critique of the Political Economy of the Sign "

A material analysis of the sign which deepens Marx's critique of political economy for spectacular times.What if the problems of modern society don't come from production, but rather consumption and the system of cultural signs? In this classic work from the defining intellectual of the postmodern, Jean Baudrillard, For a Critique of the Political Economy of the Sign takes Marx's critique of political economy and its analysis of the commodity form as the starting point for an analysis of signs and their meaning in modern society. Influenced by Lefebvre's critique of everyday life, Barthes's semiology, and Situationism, Baudrillard analyses how objects are encoded within the system of signs and meanings that constitute contemporary media and consumer societies. Combining semiological studies and sociology of the consumer society, For a Critique of the Political Economy of the Sign contains Baudrillard's most extensive engagement with Marxism and shows him at a critical juncture for the development of his thought.

Jean Baudrillard

(Author)

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Jean Baudrillard was a French sociologist, philosopher, and essayist, known for his critical analysis of mass culture, consumption, and media. His work falls within philosophical and sociological essays, with a provocative and speculative style that has widely influenced contemporary thought. A professor at the University of Paris X Nanterre, he was a key figure in postmodernism and simulation theory.

Among his most important works are Simulacra and Simulation (1981), The Transparency of Evil (1990), The Perfect Crime (1995), and The Total Screen (1996). He was the sole author of these texts, which have become benchmarks for understanding cultural transformations in the age of media and virtuality.

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