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portada Fringe to Famous. Cultural Production in Australia After the Creative Industries
Type
Physical Book
Year
2025
Pages
280
Format
Paperback
Dimensions
22.9x15.2 cm
ISBN13
9798765112472

Fringe to Famous. Cultural Production in Australia After the Creative Industries

Doctor Maura Edmond;Professor Tony Moore;Professor Mark Gibson;Professor Chris Mcauliffe (Author) · Bloomsbury Academic USA · Paperback

Fringe to Famous. Cultural Production in Australia After the Creative Industries - Doctor Maura Edmond;Professor Tony Moore;Professor Mark Gibson;Professor Chris McAuliffe

New Book Imported to South Africa
Delivery: 12 Oct - 20 Oct Shipping: 6 to 7 business days.
R 829
R 829

Synopsis "Fringe to Famous. Cultural Production in Australia After the Creative Industries"

Fringe to Famous examines exchange between small scenes of cultural production and mainstream institutions and markets. Drawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized. The book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a ‘pure’ fringe – discredited now by half a century of critical responses to the counterculture – and to an increasingly hardened anti-romantic reaction. Drawing on extensive original interviews, Fringe to Famous offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy ‘after the creative industries’. It proposes an idea of ‘generative hybridity’ between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.

Fringe to Famous examines exchange between small scenes of cultural production and mainstream institutions and markets.

Drawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized.

The book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a ‘pure’ fringe – discredited now by half a century of critical responses to the counterculture – and to an increasingly hardened anti-romantic reaction.

Drawing on extensive original interviews, Fringe to Famous offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy ‘after the creative industries’. It proposes an idea of ‘generative hybridity’ between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.

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