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portada Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz
Type
Physical Book
Illustrated by
Language
English
Pages
285
Format
Paperback
Dimensions
22.4x15x1.5 cm
Weight
0.39 kg.
ISBN13
9783034307345

Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz

Julia Effertz (Author) · Peter Collier (Illustrated by) · Peter Lang Ltd, International Academic Publis · Paperback

Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz - Collier, Peter ; Effertz, Julia

New Book Imported to South Africa
Delivery: 09 Oct - 19 Oct Shipping: 5 to 6 business days.
R 1,198
R 1,198

Synopsis "Songbirds on the Literary Stage: The Woman Singer and Her Song in French and German Prose Fiction, from Goethe to Berlioz"

This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe's child singer Mignon and Madame de Staël's ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

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