Name: The Hegel Variations: On the Phenomenology of Spirit
Price: 470.00 ZAR
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Author: Fredric Jameson
ISBN: 9781844677047

portada The Hegel Variations: On the Phenomenology of Spirit

The Hegel Variations: On the Phenomenology of Spirit

Type

Physical Book

Author

Fredric Jameson

Publisher

Verso

Year

2017

Language

English

Pages

144

Format

Paperback

ISBN13

9781844677047

Synopsis "The Hegel Variations: On the Phenomenology of Spirit "

Master philosopher and cultural theorist tackles the founder of modern dialecticsIn this major new study, the philosopher and cultural theorist Fredric Jameson offers a new reading of Hegel’s foundational text Phenomenology of Spirit.In contrast to those who see the Phenomenology as a closed system ending with Absolute Spirit, Jameson’s reading presents an open work in which Hegel has not yet reconstituted himself in terms of a systematic philosophy (Hegelianism) and in which the moments of the dialectic and its levels have not yet been formalized. Hegel’s text executes a dazzling variety of changes on conceptual relationships, in terms with are never allowed to freeze over and become reified in purely philosophical named concepts. The ending, on the aftermath of the French Revolution, is interpreted by Jameson, contra Fukuyama’s “end of history,” as a provisional stalemate between the political and the social, which is here extrapolated to our own time.

Fredric Jameson

(Author)

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Fredric Jameson (1934–2024) was an influential American literary critic and Marxist theorist, known for his analysis of contemporary culture and its relationship with late capitalism. He earned his PhD from Yale with a thesis on Sartre and taught at universities such as Harvard, Yale, and Duke. His methodological approach combined Marxism, structuralism, and psychoanalysis, addressing issues like postmodernism and cultural production in the globalized era. In 2008, he received the prestigious Holberg Prize for his outstanding contribution to the study of the relationships between social formations and cultural forms.

Among his most notable works are Postmodernism, or, The Cultural Logic of Late Capitalism (1991), Theories of Postmodernity (1996), The Seeds of Time (2000), A Singular Modernity (2002), Archaeologies of the Future (2009), and The Realism and the Providential Novel (2006). The latter, published by the Circle of Fine Arts, examines narrative structures in Western literature, from Heliodorus to George Eliot, and suggests that happy endings are a literary rather than existential category. His work falls within the genre of critical essay and literary theory, and has left an indelible mark on contemporary cultural and literary studies.

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