Considering Creativity: Creativity, Knowledge and Practice in Bronze age Europe
Synopsis "Considering Creativity: Creativity, Knowledge and Practice in Bronze age Europe "
Creativity is embedded in human history. Indeed, it is impossible to understand material change and the development of the new without invoking creativity. The location, exploration and analysis of creativity should therefore be of particular concern to archaeologists. This volume engages with this challenge by focusing on the outcomes of creativity – material culture – and an exploration of creative practice. The European Bronze Age provides a useful focus for discussions of the outcomes of creativity because in this period we see the development of new and pre-existing materials that we take for granted today, in particular textiles and bronze. We also see new ways of working with existing materials, such as clay, to create novel forms. In both new and existing materials it is frequently possible to see the growth of technical skill, to produce complex forms, and elaborate decorated surfaces.The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression. Many have their origin in the international conference "Creativity: An Exploration Through the Bronze Age and Contemporary Responses to the Bronze Age" held at Magdalene College, University of Cambridge in 2103 as part of the HERA-funded project "Creativity and Craft Production in Middle and Late Bronze Age Europe." Contributions span the early to late Bronze Age, deal with a range of materials including textiles, metal, and ceramics, and reflect on data from across the continent including Iberia, Scandinavia, and Central and Eastern Europe. This breadth illustrates the wide-ranging importance and applicability of creativity as an heuristic concept. The volume further develops a range of theoretical and methodological directions, opening up new avenues for the study of creativity in the past.Table of ContentsIntroduction – Joanna Sofaer1. Creativity and Knowledge – Bengt Molander2. Copying from Sherds. Creativity in Bronze Age Pottery in Central Iberia (1800-1150 BC) – Antonio Blanco-González3. Creativity versus Taboo in Late Bronze Age Central and Southeast Europe – Carola Metzner-Nebelsick4. Dull Hues versus Colour and Glamour. Creative Textile Design in the 2nd Millennium BC in Central Europe – Karina Grömer and Regina Hofmann-de Keijzer5. The imaginary crested helmet of Vercingetorix: What is ‘Creativity’ in Bronze Age metal production? – Anne Lehoërff6. Creativity and the Making of a Pottery Decoration Style in Middle Bronze Age Transylvania: The Building of a Theory of Movement – Nona Palincaş7. The Nordic razor as a medium of creativity – Flemming Kaul8. In the Beginning was the Fibre – Antoinette Rast-Eicher9. Towards Textile Textures – Lise Bender Jørgensen10. The Apperance of Fibulae in the Late Bronze Age. Creativity in the Crafting of the First Clothes Fasteners in the South of the Carpathian Basin – Daria Loznjak Dizdar11. Creative Elaboration in Clay in the Early Bronze Age in the Carpathian Region – Jozef Bátora
